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Major Motion Picture: Of Gods and Men - Movie about the Trappist Monks in Algeria

"Cannes Film Festival grand-prize winner had 'monastic adviser' on set"

By Mark Pattison
Catholic News Service

WASHINGTON (CNS) -- "Of Gods and Men," the Cannes Film Festival grand prize-winning feature now debuting across the country, had a "monastic adviser" on the set to help faithfully depict the lives of the French monks whose story is at the heart of the movie.

Henry Quinson, who lived for six years at a Cistercian monastery in France, knew two of the monks portrayed in the film.

The subject matter is not typical for a movie: the lives of seven Trappist monks in turmoil-ridden Algeria in the mid-1990s. All seven were kidnapped in 1996 and ultimately beheaded.

"It's very difficult for me to make a movie that would be cheap -- the kind of movie that would only be about blood," Quinson told Catholic News Service in a Feb. 18 telephone interview from Marseilles, France, where he lives. "It would be very far away from the spirit of the people I knew."

Xavier Beauvois, who directed and co-wrote "Of Gods and Men," approached Quinson after seeing his memoir on monastic life; Quinson had earlier translated into French an English-language book on the murdered monks.

Quinson said Beauvois e-mailed him asking, "I need someone to be with me on this movie. ... When it's written (in the script) 'the monks pray,' how are they dressed? What do they do? Do they sing? I need someone who knows the monastic life from the inside."

Quinson, who had been considering making a movie himself on the French Trappists, agreed to help Beauvois.

"My little job," Quinson said, "was to tell their story, ... be faithful to the brothers, and reach out to as many people as we can."

Quinson said Algeria in the mid-1990s was struggling through many of the same issues today roiling Muslim-majority nations in North Africa and the Middle East.

"The murder of the monks was a turning point in Algeria. That doesn't mean there's no violence in Algeria today. Things are shaking up in Algeria right now," he told CNS. "What is true is that no Christians were murdered after '96, and I think that Algerian people started to come to terms with the idea that violence is not going to beget any bright future and another way to solve the problems would not be terrorizing people, not only for their religious faith -- most people who were murdered in Algeria were Muslims themselves -- but questions were raised about who murders whom."

Quinson said, "For the two months when we shot the movie in Morocco, I was there every day. Beauvois would have me very close to him -- 'Henry, are you sure this is right?' -- to re-create the atmosphere of the monastery."

Then came the bombshell from Beauvois when it came to the chapel scenes: "Henry, for these parts you are the film director. I cannot direct something I know nothing about. What are they going to do? What are they going to think?"

"I found all the songs, and all the dialogue, which makes up about 15 percent of the movie. I rewrote one of the speeches about being a martyr, which was a very important part of the movie," Quinson told CNS. "We spent several days in a monastery" coaching the actors, working with Beauvois on the setting, and re-creating the monastery in Morocco for filming.

Quinson, the son of a banker, was born in New York City but has lived in Europe, primarily France and Belgium, since age 5.

"I'm not a real monk in the sense that I'm not a part of a monastic order. But I'm celibate, working within the church," said Quinson, who turns 50 March 8. "I worked as teacher here in Marseille. I managed to have part-time jobs so I would have a lot of time to help out the neighbors" in a Muslim enclave in Marseille with "a lot of educational help and now a lot of financial help. ... A lot of these kids were considered not very able to go far in their studies" for academic or financial reasons.

Quinson said that, before filming, he had gotten advice from "a big French film producer" he would not name that "this story with seven monks being killed is not going to sell." Cannes awards and international acclaim later, the producer's opinion is being debunked.

In his review of "Of Gods and Men," John Mulderig of CNS' Media Review Office called the movie "a restrained religious masterpiece and a memorable viewing experience."

The film received a classification of A-III -- adults -- for brief gory violence, some unsettling images and a single instance each of rough and crass language. But Mulderig said older teens could profit from seeing the movie.

Director Beauvois, according to Mulderig, "finds a path to the heart of the Gospel through simplicity, a compassionate sense of brotherhood and an atmosphere of prayer enriched by sacred music and potent silence."

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"Rays of Musical Light: Cloistered Nuns Share Record Label With Elton John"

From Catholic Online
By Sonja Corbitt

NASHVILLE, TN (Catholic Online) - "The whole world, compacted as it were together, was represented to [Benedict's] eyes in one ray of light" (The Life of Our Most Holy Father Saint Benedict, Pope Saint Gregory the Great).

It seems the cloistered, self-sufficient community of the Abbey of Our Lady of the Annunciation near Avignon, France, also sees the world through a Benedictine ray of light, and is about to diffuse a radiant love all over the world through the slow, soaring movements of their Gregorian chant.

Benedictine vows include Stability, Fidelity to the Monastic Life, and Obedience, and their communal life is centered around the eight canonical hours of the Divine Office. The Benedictine Divine Office is one of the most ancient daily observances of any kind anywhere in the world, and Gregorian chant is the oldest music ever written down.

Originating in the ancient Jewish prayer tradition, Benedictines continued the practice of daily singing of the psalms (meaning, songs) and have conducted the Divine Office for the 1500 years since St. Benedict first wrote and compiled his Rule. The Benedictine sisters at the Abbey of Our Lady of the Annunciation, following the Liturgy of the Hours, sing eight times a day.

Ora et Labora, Pray and Work

The mystery and poetry of Scripture at its earthly best, Benedictine prayer rolls on, as daily as parenting, washing dishes, and marriage. Its chant is a living, lived-in song, a relationship with God and Church revealed and expressed in ordinary, but sacred, words and music. It is benediction.

It is this blessing, this work of prayer at the Abbey of Our Lady of the Annunciation, France that attracted the attention of a talent scout for Decca Records. "When you hear them chanting, it's like an immediate escape from the stresses, noise and pace of modern living," he said of the prayer of Benedictine nuns cloistered there.

Decca Records is part of Universal Music, a British label which also produces albums by The Rolling Stones, Lady Gaga, Eminem, Amy Winehouse, U2 and Elton John. After chant first gained secular popularity through Enigma's chart successes in the 1990s, and the last Gregorian chant album released sold over a million albums, Decca Records went on a worldwide search for the finest female Gregorian chanters.

Their anxious ears finally came to rest on the lilting prayer of the Benedictine sisters in Avignon who were chosen over more than 70 other convents worldwide. Typically, prospective pop stars cannot garner enough publicity, but this group is slightly different.

Hidden Life

"We never sought this, it came looking for us," said the abbey's Reverend Mother in a statement released by Universal Music, and indeed, their seclusion posed some challenges for both the record label and the religious community.

"Before starting the recording we were a bit nervous," said English speaking Sister Raphael in an interview. She expressed the whole community's concern for the extraordinary project:

"We were a bit afraid of what was going to happen to our cloistered life, so we confided this to St. Joseph in our prayer: that if this was going to help people to pray, if it was going to help people find God, if it's going to help people find peace, [he should] make this go through."

And "go through" it did, presumably under his patronage and special protection. In accordance with St. Joseph's lifelong, heroic protection of the consecrated, Decca took exceptional measures to protect the isolation the nuns vow until death.

The album contract was passed to the sisters for their signature through the beautiful wood-worked partition that secludes them from the outside world, and recording engineers were only allowed into the convent when the nuns were in different parts of the abbey.

After setting up microphones in the chapel, they retreated to a separate room when the sisters sang, remotely directing the recording. To promote the album, the sisters filmed their own television commercial and photographed the album cover.

"We had to give the cameras to the nuns, because they had access to the more beautiful parts of the monastery," a Decca spokesperson remembered fondly, "so we had to actually hand everything over to them. And they were making their own TV advert, they were making their own CD cover, and it was a very interesting and different way of working."

A Ray of Musical Light

They have no access to newspapers, TV or radio, but the sisters are now on Facebook and YouTube, and their album, Voice: Chant from Avignon, will be released early this November. Remarkably, although the nuns never leave the convent, the whole world will feel the radiant peace of their singing.

"I think that our music appeals to a wider audience, secular and non-secular. The words have a very profound meaning that is coming from the Sacred Scripture. The singing in our daily lives is very important for us. It is our prayer," said Sister Raphael, conveying the heart of her community. It has been said that other than the Bible, the Benedictine Rule was the most influential book in the development of western civilization, a light in medieval darkness.

"It's not quite a question of how we feel when we sing, but who we are, and for whom we sing," the sisters confirm. Indeed, the chanted Office is a song of Love, and they consider this song as one way to contemplatively bring sacred, musical, Benedictine light to a dark, frantic, noisy world.

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"Benedict XVI: The role of priests is irreplaceable"

PRIESTS ARE WITNESSES OF THE POWER OF GOD

VATICAN CITY, 29 SEP 2009 (VIS) - Made public today were the contents of a video Message from the Pope to participants in an international spiritual retreat for priests at the French shrine of Ars for the 150th anniversary of the death of St. John Mary Vianney. The preacher of the retreat, which is taking place from 27 September to 3 October, is Cardinal Christoph Schonborn O.P., archbishop of Vienna, Austria, and the theme of the spiritual exercises is: "The joy of being a priest, consecrated for the salvation of the world".

"The priest", says the Holy Father in his Message, "is called to serve human beings and to give them life in God. ... He is a man of the divine Word and of all things holy and, today more than ever, he must be a man of joy and hope. To those who cannot conceive that God is pure Love, he will affirm that life is worthy to be lived and that Christ gives it its full meaning because He loves all humankind".

Benedict XVI then turns to address priests who have to serve a number of parishes and who "commit themselves unreservedly to preserving sacramental life in their various communities. The Church's recognition for you all is immense", he says. "Do not lose heart but continue to pray and to make others pray that many young people may accept the call of Christ, Who always wishes to see the number of His apostles increase".

The Holy Father also invites priests to consider "the extreme diversity of the ministries" they perform "in the service of the Church", and "the large number of Masses you celebrate or will celebrate, each time making Christ truly present at the altar. Think of the numerous absolutions you have given and will give, freeing sinners from their burdens. Thus you may perceive the infinite fruitfulness of the Sacrament of Holy Orders. Your hands and lips become, for a single instant, the hands and lips of God".

"This thought", the Pope added, "should bring you to ensure harmonious relations among the clergy so as to form the priestly community as St. Peter wanted, and so build the body of Christ and consolidate you in love".

"The priest is the man of the future. ... What he does in this world is part of the order of things directed towards the final Goal. Mass is the only point of union between the means and the Goal because it enables us to contemplate, under the humble appearance of the bread and the wine, the Body and Blood of Him Whom we adore in eternity".

"Nothing will ever replace the ministry of priests in the heart of the Church", the Pope concluded. "You are the living witnesses of God's power at work in the weakness of human beings, consecrated for the salvation of the world, chosen by Christ Himself to be, thanks to Him, salt of the earth and light of the world".